2023
Translation and Transgression in the Art of Shirin Neshat. Routledge Press, Oct 2023.
“Beyond Representation: The Evolution of Embodiment in Shirin Neshat’s Early Art,” Woman’s Art Journal, Fall/Winter issue, Nov 2023.
2020
Catalog Introduction. “Art and the Enduring Optimistic: The Paradox of the Anthropocene,” Paradox. Washington, DC: The Katzen Museum, American University.
2018
“Rachel Middleman. Radical Eroticism: Women, Art, and Sex in the 1960s” book review. Woman’s Art Journal, Fall/Winter.
“Bill Traylor: Between Worlds,” American Art Museum. Washington City Paper (Nov).
“Dia de los Muertos,” Strathmore. Washington City Paper, (Oct).
“Andrea Limauro at Hillyer.” Washington City Paper, (Oct).
“Matt Pinney at Brentwood” Brentwood Arts Exchange. Washington City Paper, (Aug).
“Cézanne’s Portraits,” National Gallery. Washington City Paper, (April).
2017
“Corita Kent and the Language of Pop,” Woman’s Art Journal, Spring.
“Yoko Ono at the Hirshhorn” Washington City Paper, (Sept).
“Drawn Out, Drawn Over: Mapping the Territory of Experience,” Brentwood Arts Exchange. Washington City Paper, (March).
2016
“Hedieh Javanshir Ilchi at Hemphill.” Washington City Paper, (Dec).
“Religion Meets Alternative Reality at Hillyer Art Center.” Washington City Paper, (Oct).
“Strange Landscapes at the Arlington Art Center.” Washington City Paper, (July).
“She Who Tells a Story: Women Photographers from Iran and the Arab World at the National Museum for Women in the Arts.” Washington City Paper, (March).
2015
“Unfriendly Skies at George Mason Art Gallery.” Washington City Paper, (Nov).
“At FotoWeek DC, 50 Years of Aperture Photographs.” Washington City Paper, (Nov).
“Sherwood True at Pyramid Atlantic.” Washington City Paper, (Nov).
“Shirin Neshat: Facing History at the Hirshhorn.” Washington City Paper, (May).
“‘Sphere Today.” Washington City Paper, cover story, (May).
“Days of Endless Time at the Hirshhorn Museum.” Art Papers, March/April 2015.
“Madame Cézanne at the Met,” newyorkarts.net (March).
Introduction and Entries. Material/Method: contemporary practices in painting. Annandale, VA: New Gallery for Contemporary Art at NOVA.
2014
“The Singing and the Silence at the American Art Museum.” Washington City Paper, (Dec).
“Elsabé Dixon’s Live/Life at Artisphere.” Washington City Paper, (Nov).
Introduction and Entries. Positive ID: Bodies & Subjectivities in Photo. Annandale, VA: New Gallery for Contemporary Art at NOVA.
“Xin Wu. Patricia Johanson and the Re-Invention of Public Environmental Art, 1958-2010” for Woman’s Art Journal (Fall 2014).
“60 Years of the Art League at the Athenaeum.” Washington City Paper, (Aug).
“Ben Tolman at Fridge Gallery.” Washington City Paper, (May).
2013
“Conor Backman at Nudashank, Baltimore.” Art Papers, (July/Aug).
“Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces” book review. Woman’s Art Journal, (Spring/Summer).
Gallery Guide. “Cross-Culture: Transnational Identity in Recent Video Art.” Woodbridge, VA: New Gallery for Contemporary Art at NOVA.
2012
“Iranian Art Now at Cité Internationale des Artes.” The Berkshire Review, (July).
“Paris’s Love Affair with Photography, Trois.” The Berkshire Review, (June).
“Paris’s Love Affair with Photography, Deux.” The Berkshire Review, (June).
“Paris’s Love Affair with Photography, Une.” The Berkshire Review, (May).
“La Nuit des Musées Paris.” The Berkshire Review, (May).
“Shirin Neshat: Overruled and Book of Kings,” Gladstone Gallery. newyorkarts.net, (Feb).
2011
Doctoral Dissertation. From Translation to Transgression: The Feminism(s) of Shirin Neshat. Indiana University. (Aug)
2008
“Marginalization as Use: Race & Gender in the Work of Yoko Ono.” International Journal of the Arts in Society, vol. 2, no. 2 (Spring).
2007
Catalog Entries. Stirratt, Betsy and Jean Robertson, eds. Human Nature. Bloomington: School of Fine Arts Gallery, Indiana University. 2007.